Can You Feel the Heat?, 2024

Newspaper, colored pencil, paint marker, acrylic, and charcoal on canvas

32.5" x 42"

​

Subverting the traditional format of an HOLC “redlining” map of Richmond, Virginia by transforming the visualization into a provocation surrounding climate justice in the built environment, my work highlights the role of the historic discriminatory practice of redlining and race-based zoning in influencing climate injustice in these marginalized neighborhoods deemed “undesirable.” Using contrasting newspaper clippings depicting natural elements alongside headlines regarding climate change and racial inequity in correspondence with strategic color palettes to emulate the four classification colors used in redlining maps, the piece showcases a literal representation of difference between the resources and exploitation of these communities. With the use of provocative statements, the viewer is addressed directly, intentionally being forced to confront such realities and reckon with one’s complicity in the continuation of this system of harm. By addressing this notion of willful ignorance and selective care, my intent is for this work to serve as a vehicle for understanding and awareness, bringing attention to the relationship between environmental and climate justice and redlining. In referencing examples of the disproportionate impact of climate-related concerns and long-term effects of redlining in these communities, the audience is called to grapple with the complexities of these issues as a reminder that such injustices not only exist but persist. Though serving as a stark reminder of these injustices and a jarring call-out of viewers, my work aims to spark conversation, giving viewers the knowledge, empathy, inspiration, and drive necessary to promote successful action and change toward an equitable climate future.